Check the Current Course Schedule to see when a particular course is currently being offered.

AR 101 Drawing I 3 cr.
A foundation course designed to acquaint the student with the basics of pictorial form. Using the human figure and other subject matter, emphasis will be placed on drawing principles of line, shape, mass, light and shade, perspective and space, surface and structure. The emphasis will be on experimenting with a variety of media. Two, two-and-one-half hour lab periods weekly.

AR 102 Drawing II 3 cr.
Continuation of AR 101. Designed to further develop the student’s perceptual and conceptual drawing skills. Students are encouraged to experiment and explore assigned problems. Two, two-and-one-half hour lab periods weekly. Prerequisite: AR 101.

AR 103 Life Drawing 2 cr.
An introduction to drawing the human figure emphasizing the fundamentals of structure. Includes the study of the human skeletal and muscular systems as they apply to drawing a likeness. One, two-and-one-half hour lab period weekly. Prerequisite: AR 101.

AR 114 Introduction to Graphic Design 3 cr.
The entry level course for the graphic design major providing the student design elements and principles for the method of problem solving, group critiques as well as practical and hands-on application of specific graphic design problems. Emphasis will be placed on traditional techniques with a transition to cyber-based technology. Two, two and one half-hour lab periods weekly. Prerequisite: AR 221.

AR 191, 192, 193, 194 Selected Topics 1-3 cr.

AR 200 Calligraphy I 2 cr.
Fundamentals of basic lettering, layout, and composition. One two-hour lab period weekly.

AR 201 Calligraphy II 2 cr.
A continuation of lettering fundamentals with emphasis on mastering a chosen alphabet. Concentration on layout, composition, and color. One two-hour lab period weekly. Prerequisite: AR 200.

AR 209 Black and White Photography I 3 cr.
An introduction to the basic elements of black and white photography. Fundamental camera and print production techniques are studied. Emphasis on photography as an interpretive and illustrative medium in art. Student supplies manual camera. Two, two-and-one-half hour lab periods weekly.

AR 210 Photography II 3 cr.
Continuation of AR 209. Designed to further develop the student’s technical and interpretive understanding of photography. Introduction to digital imagery and color. Student supplies manual camera. Two, two-and-one-half hour lab periods weekly. Prerequisite: AR 209.

AR 221 Basic Design 3 cr.
Study and practice of fundamental elements and principles of two-dimensional design using a variety of media. Two, two-and-one-half hour lab periods weekly.

AR 222 Color and Design 3 cr.
Study of color and its application to various design concepts as the continuation of design fundamentals and organization. Two, two-and-one-half hour lab periods weekly. Prerequisite: AR 221.

AR 223 Graphic Design I 3 cr.
Introduction to computers working with vector-based and current programs. An introduction to graphic design based on an organizational grid structure. Students will continue their studies in text placement, color, layout and basic design and learn to use external digital enhancement. They will develop pieces of work common in graphic design such as letterheads, logos and fliers. Two, two and one-half hour lab periods weekly. Prerequisites: AR 114 and AR 221.

AR 224 Graphic Design II 3 cr.
Continued studies in graphic design utilizing raster-based information. Diverse approaches to solving basic design and communication problems are applied. Projects generated will include more advanced design work and incorporate skills helpful to preparing visual information. Two, two and one-half hour lab periods weekly. Prerequisite: AR 223.

AR/IS 243 Multimedia/Interactive Media I 3 cr.
Introduction to the concepts of multimedia software, hardware, development concepts and basic visual and human interface design issues. Hands-on experience with multimedia hardware and software. Prerequisite: AR 221 and IS 220.

AR 280 Art Appreciation: A Studio Approach 3 cr.
A study of three visual arts disciplines through combined lecture and hands-on studio experience. This approach includes the study of artists, styles and techniques related to some of the following disciplines: drawing, painting, printmaking, ceramics, photography, sculpture or fibers. The emphasis will be on direct studio experience. Two two-and-one-half hour lab periods weekly.

AR 300 Graphic Design III 3 cr.
Designing electronic page layout with type, text and images to create a professional multi-page layout using various applications. Various methods of producing and scanning images will be developed together with numerous options to edit and manipulate those images. Two, two-and-one-half hour lab periods weekly. Prerequisite: AR 224

AR 311 Art History I: Ancient to Medieval 3 cr.
Civilization epochs in the light of environmental influences and the resultant fine and decorative arts. Where feasible, the philosophies of the related cultural subjects are introduced.

AR 312 Art History II: Renaissance to Modern 3 cr.
A survey of major monuments, paintings, and sculpture that have shaped Western art—historical thought from the opening years of the Renaissance to the opening years of the twentieth century.

AR 313 Women Artists: Historical Survey 3 cr.
An historical survey of the roles, contributions, and styles of women artists. Activities such as field trips to studios, galleries, and museums and special lectures are arranged. AR 314 Impressionism to Today 3 cr. An historical survey from Impressionism through modern to contemporary art. Concentration on painting and sculpture with frequent field trips to area galleries and museums.

AR 316 American Art—Multicultural Crossroads 3 cr.
This course will begin with a discussion of western European influences on American art. However, the course will also deal with other less familiar influences on the appearance and history of American culture. Native American and African will also be presented in conjunction with American art. All of these influences have contributed to the unique appearance of American art, particularly in the 20th century.

AR 325 Printmaking I 3 cr.
An introduction to basic relief and intaglio printmaking processes with emphasis on traditional as well as contemporary methods. Includes woodcuts, etching and monoprints. Two, two-and-one-half hour lab periods weekly. Prerequisites: AR 101, 221.

AR 326 Printmaking II 3 cr.
A continuation of AR 325. Further exploration of relief and intaglio processes and techniques. Includes more advanced intaglio as well as involvement with mixedmedia printmaking. Emphasis on individual exploration of ideas. Two, two-and-one-half hour lab periods weekly. Prerequisite: AR 325.

AR 341 Painting I 3 cr.
An introduction to painting dealing with technical and perceptual concepts. Two, two-and-one-half hour lab periods weekly. Prerequisites: AR 101, 222.

AR 342 Painting II 3 cr.
A continuation of AR 341. Further exploration of technical and perceptual concerns with the emphasis on the growth and development of individual concepts in painting. Two, two-and-one-half hour lab periods weekly. Prerequisite: AR 341.

AR 360 Art Methods 3 cr.
Study of curriculum and instruction appropriate to aesthetic/artistic growth and development from preschool through 12th grade. Methods, materials and approaches are examined for classroom use. Includes practice teaching and studio time. Prerequisite: AR 221 or AR 280.

AR 361 Field Experience for AR 360 1 cr.
Field experience component, to be taken in conjunction with AR 360, required for the observation and practice of art methods for preschool through 12th grade. The course consists of thirty hours of practice teaching at an appropriate site as determined by the instructor and/or Field Placement Director. Must be taken concurrently with AR 360.

TEEL® students seeking Visual Arts licensure should, whenever possible, take AR 360 and AR 361 rather than ED 342 and ED 343.

AR/IS 365 Web Site Design and Development 3 cr.
Emphasizes general principles of designing and building web sites. Use of HTML and web page editors to build complete web sites. Use of scripting languages to tie web sites to databases and add other features to the web site. Prerequisite: AR 221 and IS 220.

AR 371 Three-Dimensional Design 3 cr.
The dynamics of three-dimensional design principles based on the elements of form, space, shape, light, and movement. Basic approaches to sculpture are covered, i.e., construction, modeling, carving, with various tools appropriate for each method. Includes traditional and contemporary references. Two, two- and-one-half hour lab periods weekly. Prerequisite: AR 101 or 221.

AR 377 Ceramics I 3 cr.
An introduction to the concepts and skills necessary to work with clay. Basic methods of handbuilding will be covered, including related decorating and firing techniques. Two, two-and-one-half hour lab periods weekly.

AR 378 Ceramics II 3 cr.
Continuation of AR 377. With emphasis on beginning throwing skills, the human form and developing personal expression with the medium of clay. Including advanced decorating techniques and glaze chemistry. Two, two-andone- half hour lab periods weekly. Prerequisite: AR 377. AR 391, 392, 393, 394 Selected Topics 1-3 cr. Independent Study AR 398 1-3 cr.

AR 400 Graphic Design IV 3 cr.
Covers all aspects of creation and presentation of professional portfolio. Emphasizing individual strengths and areas of specialization. The course focuses on the development of personal design methodology. Emphasis based on developing concepts in a mature and thorough manner through research, brainstorming, conceptual development and execution of concept. Project refinement and a culminating project. Prerequisite: AR 300

AR/IS 443 Advanced Multimedia 3 cr.
Focus on the physical design, testing and implementation of a multimedia module developed with an authoring language like Authorware. Prerequisite: BU 222 and 243.

AR 480 Studio Emphasis 3 cr.
This course is designed for the advanced studio art major who has completed an emphasis in one of the following areas; drawing, photography, printmaking, painting or ceramics and wishes to pursue an advanced course of study with the instructor in the same discipline. A research and studio project will be determined prior to registration and with the written permission of the discipline instructor. Prerequisites: AR 101/102 or AR 209/AR 210; AR 325/AR 326 or AR 341/342 or AR 377/AR 378.

AR 490 Professional Practices 3 cr.
Practical concerns essential for an artist to make his/her work visible and marketable. Topics include preparing a resume and artist statement, documenting one’s work photographically, record keeping, exhibiting and working with galleries, news releases, graduate programs and other opportunities for professional growth, setting up a studio. One two and one half hour class weekly.

AR 491 Senior Studio 3 cr.
This course will provide all art majors with both theoretical and practical application in the visual arts. The course will deal with issues of creative problem solving and self-motivation pertaining to the visual arts. Students will prepare professional portfolios for final class presentation. Students will explore individual approaches to creativity and apply their findings to a specialized art project that they will present to the class and to the art faculty prior to completion of the course.

AR 492 Senior Studio 3 cr.
Independent work in a particular field of interest inthe visual arts: drawing, painting, sculpture, ceramics, printmaking, or any other area or areas of specialization in which the student shows intermediate or advanced level proficiency. At least two, two-and-one-half hour lab periods weekly. One-hour weekly seminar discussion and periodic critiques with advising instructor.

AR 493, 494 Selected Topics 1-3 cr.
AR 295, 395, 495 Cooperative Education 1-6 cr.

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